by : Professor William Greene
Economic Foundations for Entertainment, Media, and Technology
Special Features of the Demand for Experience Goods
Understanding the Demand
for Experience Goods
* Differences between experience and “humdrum” goods
* Motivation for consumption
* Aspects of demand
* Implications for markets
Demand for a Good or Service from the Consumer’s Viewpoint
Experience Good
Utility Good
Derived Demand
Shared
Gasoline
Final Demand
Purely Internal
Shoes
Consumption of Experience Goods
* Experience vs. Utilitarian Consumption
* Experience Goods – Motivation
o Purely internal
+ Immediate utility (satisfaction)
+ Rational addiction
o Interactive and interdependent
+ Common interests – discourse
+ Accumulation of social capital
Experience Goods vs. Utility Goods
The classical theory of demand falls short when applied to markets for experience goods.
Rational Addiction
* Acquired taste (opera, renaissance art, rap music)
* Accumulated expertise – a capital stock
* This implies a decreasing demand elasticity (an addiction).
Economic Foundations for Entertainment, Media, and Technology
The Demand for Experience Goods is Strongly Influenced by Interactions of Preferences and Consumption
Social Capital Stock
Art Dali, Pollock, Monet, Picasso, Barnett, O’Keefe,
Warhol, Haring, Wyeth, Rembrandt, Klimt
Opera Pavarotti, Carmen, Tommy, Aida, Soap
Movies Gone with the Wind, Casino Royale, Kill Bill, Brave One
Theater Lion King, TONY, Rent, Blue Man Group, Hairspray
Books E. Leonard, J. Collins, W. Greene, S.Hawking, H. Clinton, Sarah Palin,
Dan Brown, T. Clancy, J. Grisham, T. Wolfe, J. Michener, Ann Coulter
Sports Yankees, Rugby, T. Woods, Super Bowl, Replay Camera,
Agassi, Lebron James, Hat trick, A-Rod, March Madness
Red Sox, NASCAR, Giants, Olympics,
Gambling Full House Blackjack Point Spread
TV Seinfeld, Jay Leno, Survivor, American Idol, You’re Fired, Olsen Twins,
CNN, History Channel
Politics (You name it)
Amusement Sky Diving Roller coaster Bungee jump
Media Time, Slate, People, Scientific American, The Economist, NYT, YouTube
Music Britney Spears, Norah Jones, BB King, Clapton, Grammys, Eminem,
VMA, Dire Straits, Billy Joel, Bonnie Raitt, Fleetwood Mac, Music Choice
Gadgets iPod, iPhone, Blackberry, Guitar Hero
Social Capital Stock
Art
Opera
Movies
Theater
Books
Sports Yours?
Gambling
TV
Amusement
Media
Music
Any Others?
The Social Capital Stock
* Functions it serves in the community
* Aspects – It is similar to other capital stocks
o Maintenance
o Depreciation
o Investment
* Implications for demand: A motivation for consumption.
TIVO Capital
TiVo has made me realize that “pulling the plug” rather than recording shows separates the TV boycotter from the rest of society. My TiVo allows me to contribute to conversations revolving around TV rather than silently observing them.
Wal Mart and Social Capital
* Increase consumption of “humdrum goods” with less external connectedness
* Reduce connection to the community by lowering viability of small “local” businesses
* (Unfortunately, empirical data do not support the hypothesis.)
Public Choice (2009) 138: 109–136
Does Wal-Mart reduce social capital?
Art Carden · Charles Courtemanche · Jeremy Meiners
Interdependent Demands
* Bandwagon effect
* d(i) = f [price, other prices, Income, ?d(j)]
* Amount demanded depends on the amount others (are
known to) have purchased
* Applications
o Bestsellers (books, music, movies)
o Movies
o Electronic innovations
o This year’s hot toy
o Others?
Bandwagons
Elasticity of demand increases as sales increase
Demand shifts outward as buyers see aggregate sales rise.
Implication 1: Lowering the price brings large benefits.
Implication 2: Advertising to increase demand is likely to be very effective.
Extreme Case: Concerts
* ?i d(i) = ?i d(i)[price, other prices, Income,D]
D = total demanded (observed by the consumer)
* Total demand depends on observed total demand
* Effect can produce positive relation between price and quantity. (Note, not a “demand curve.”)
* For the concert, MC = 0 (or close to it)
* End result: Profit = revenue maximization may occur with excess demand (fans outside the facility)
Concert Pricing
Without the fixed capacity, the revenue maximizing price would be somewhere in here, where demand elasticity equals -1.
With fixed capacity (supply, S), this is the revenue (profit) maximizing price. There is excess demand – fans outside pumping up demand for the next concert.
Professor William Greene
Economic Foundations for Entertainment, Media, and Technology
Special Features of the Demand for Experience Goods
Understanding the Demand
for Experience Goods
* Differences between experience and “humdrum” goods
* Motivation for consumption
* Aspects of demand
* Implications for markets
Demand for a Good or Service from the Consumer’s Viewpoint
Experience Good
Utility Good
Derived Demand
Shared
Gasoline
Final Demand
Purely Internal
Shoes
Consumption of Experience Goods
* Experience vs. Utilitarian Consumption
* Experience Goods – Motivation
o Purely internal
+ Immediate utility (satisfaction)
+ Rational addiction
o Interactive and interdependent
+ Common interests – discourse
+ Accumulation of social capital
Experience Goods vs. Utility Goods
The classical theory of demand falls short when applied to markets for experience goods.
Rational Addiction
* Acquired taste (opera, renaissance art, rap music)
* Accumulated expertise – a capital stock
* This implies a decreasing demand elasticity (an addiction).
Economic Foundations for Entertainment, Media, and Technology
The Demand for Experience Goods is Strongly Influenced by Interactions of Preferences and Consumption
Social Capital Stock
Art Dali, Pollock, Monet, Picasso, Barnett, O’Keefe,
Warhol, Haring, Wyeth, Rembrandt, Klimt
Opera Pavarotti, Carmen, Tommy, Aida, Soap
Movies Gone with the Wind, Casino Royale, Kill Bill, Brave One
Theater Lion King, TONY, Rent, Blue Man Group, Hairspray
Books E. Leonard, J. Collins, W. Greene, S.Hawking, H. Clinton, Sarah Palin,
Dan Brown, T. Clancy, J. Grisham, T. Wolfe, J. Michener, Ann Coulter
Sports Yankees, Rugby, T. Woods, Super Bowl, Replay Camera,
Agassi, Lebron James, Hat trick, A-Rod, March Madness
Red Sox, NASCAR, Giants, Olympics,
Gambling Full House Blackjack Point Spread
TV Seinfeld, Jay Leno, Survivor, American Idol, You’re Fired, Olsen Twins,
CNN, History Channel
Politics (You name it)
Amusement Sky Diving Roller coaster Bungee jump
Media Time, Slate, People, Scientific American, The Economist, NYT, YouTube
Music Britney Spears, Norah Jones, BB King, Clapton, Grammys, Eminem,
VMA, Dire Straits, Billy Joel, Bonnie Raitt, Fleetwood Mac, Music Choice
Gadgets iPod, iPhone, Blackberry, Guitar Hero
Social Capital Stock
Art
Opera
Movies
Theater
Books
Sports Yours?
Gambling
TV
Amusement
Media
Music
Any Others?
The Social Capital Stock
* Functions it serves in the community
* Aspects – It is similar to other capital stocks
o Maintenance
o Depreciation
o Investment
* Implications for demand: A motivation for consumption.
TIVO Capital
TiVo has made me realize that “pulling the plug” rather than recording shows separates the TV boycotter from the rest of society. My TiVo allows me to contribute to conversations revolving around TV rather than silently observing them.
Wal Mart and Social Capital
* Increase consumption of “humdrum goods” with less external connectedness
* Reduce connection to the community by lowering viability of small “local” businesses
* (Unfortunately, empirical data do not support the hypothesis.)
Public Choice (2009) 138: 109–136
Does Wal-Mart reduce social capital?
Art Carden · Charles Courtemanche · Jeremy Meiners
Interdependent Demands
* Bandwagon effect
* d(i) = f [price, other prices, Income, ?d(j)]
* Amount demanded depends on the amount others (are
known to) have purchased
* Applications
o Bestsellers (books, music, movies)
o Movies
o Electronic innovations
o This year’s hot toy
o Others?
Bandwagons
Elasticity of demand increases as sales increase
Demand shifts outward as buyers see aggregate sales rise.
Implication 1: Lowering the price brings large benefits.
Implication 2: Advertising to increase demand is likely to be very effective.
Extreme Case: Concerts
* ?i d(i) = ?i d(i)[price, other prices, Income,D]
D = total demanded (observed by the consumer)
* Total demand depends on observed total demand
* Effect can produce positive relation between price and quantity. (Note, not a “demand curve.”)
* For the concert, MC = 0 (or close to it)
* End result: Profit = revenue maximization may occur with excess demand (fans outside the facility)
Concert Pricing
Without the fixed capacity, the revenue maximizing price would be somewhere in here, where demand elasticity equals -1.
With fixed capacity (supply, S), this is the revenue (profit) maximizing price. There is excess demand – fans outside pumping up demand for the next concert.
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